What is Night Out / Night Off for Graduate Students?
Founded in the fall of 2016, Night Out / Night Off (NO/NO) was envisioned as a series of arts focused events held in both the fall and spring semesters annually that built community amongst graduate students of color and has always been open to all Berkeley Graduate students. NO/NO creates a space where there are no expectations of graduate students being any more or any less than ourselves; no expectations of leadership, representation, lobbying, or mentoring. Students are invited to engage a treasured familiar art form or experience a brand new genre while sharing in community.
We hope to see you this year for food, fun, highly subsidized tickets, and community!
Art Cannot Be Silent
in Times of Discord or Peace
#BlackLivesMatter
#StopAsianHate
UC Berkeley students, take advantage of the new BayPass available to students to get around with the student Clipper Card without paying fares. For more information, visit
https://pt.berkeley.edu/public-transportation/baypass-information
Fall 2026
Want to add an event to your calendar? Click the event title or image to open the event page for an Add to Calendar option!
Berkeley Rep
Peet’s Theatre, 2025 Addison St, Berkeley CA 94704
Friday, October 9 @ 8 PM
Special UC Berkeley Grad Student Price: $15 (you may bring one guest @ guest price)
***Postshow discussion***
By Eduardo Machado
Directed by David Mendizábal
An aristocratic Cuban family flees from Havana to Miami on the eve of Castro’s revolution, entrusting their mansion to their devoted cook Gladys who vows to protect it until their return. For forty years, she keeps her promise, enduring loss, upheaval, and the slow unraveling of a country’s dreams. But when the aristocrats’ daughter returns, Gladys finds she has sacrificed everything for a bond that has been forgotten. Berkeley Rep’s Associate Artistic Director David Mendizábal (All My Sons, Mexodus) directs Eduardo Machado’s sharp, funny, and quietly devastating play where two worlds are held in tension: the life carefully preserved, and the life that had to be lived.
➡️ [ BUY TICKETS ] ⬅️SFBATCO
The Strand Theater, 1127 Market St., San Francisco, CA 94103
Saturday, October 10 @ 7:30 PM
Special UC Berkeley Grad Student Price: $20 (you may bring one guest @ guest price)
WORLD PREMIERE
Based on a Story by Danny Duncan
Book by Michael Gene Sullivan and Danny Duncan
Music and Lyrics by Danny Duncan
Directed and Choreographed by AeJay Antonis Marquis
Music Direction and Accompaniment by Othello Jefferson
Be transported to San Francisco’s Fillmore District—beginning in the present day, where the echoes of a once-thriving Black neighborhood still shape the streets. From there, Every Saturday Night pulls audiences back into the 1950s, the vibrant “Harlem of the West,” when the Fillmore pulsed with jazz, community, and possibility.
Following two Black boys—one in each era—the musical explores home, belonging, and resilience, revealing how the Fillmore’s past and present are connected by displacement, gentrification, and the enduring fight to stay rooted in the community.
Inspired by true events, this boisterous and heartfelt new work by acclaimed Bay Area playwright, composer, and director Danny Duncan and playwright Michael Gene Sullivan celebrates a historic neighborhood while asking urgent questions about who gets to remain in the city today.
➡️ [ BUY TICKETS ] ⬅️Oakland Symphony
Paramount Theatre, 2025 Broadway, Oakland, CA 94612
Friday, October 16 @ 7:30 PM
Special UC Berkeley Grad Student Price: $10 (you may bring one guest @ guest price)
Kedrick Armstrong, conductor
B. DeVeaux, vocalist
OSNAT NETZER Varium cæli
KARIM AL-ZAND Lamentation on the Disasters of War
PROTEST MEDLEY (Arr. Mike Blankenship)
The Lumpen – No More
Tracy Chapman – Talkin’ Bout a Revolution
Lauryn Hill – I Find It Hard to Say (Rebel)
DMITRI SHOSTAKOVICH Symphony No. 11, “The Year 1905”
His music could celebrate Soviet glory. His subtext would suggest the subversive. Dmitri Shostakovich paid the price with his creative freedom. And nearly with his life.
➡️ [ BUY TICKETS ] ⬅️Disney on Ice
Oakland Arena, 7000 Coliseum Way, Oakland, CA 94621
Saturday, October 17 @ 6:30 PM
Special UC Berkeley Grad Student Price: $20 (you may bring multiple guests @ guest price)
Unlock your inner hero when Disney On Ice brings your favorite stories to the ice! Sail away with Moana on her epic voyage. Feel the chill with Anna, Elsa, and Olaf as they restore summer. Move to the rhythms of Encanto as Mirabel’s family celebrates their unique gifts. Be inspired to chase your dreams with the Disney Princesses and watch out for Stitch’s hilarious mischief. Hosted by Mickey and Friends, Disney On Ice presents Find Your Hero is a celebration of courage and togetherness!
➡️ [ BUY TICKETS ] ⬅️SF Opera
War Memorial Opera House, 301 Van Ness Avenue, San Francisco, CA 94102
Wednesday, October 21 @ 7:30 PM
Special UC Berkeley Grad Student Price: $15 (you may bring one guest @ guest price)
Her first taste of love. Her gamble for more.
Manon is young, beautiful, and has a taste for the finer things … which is why her family is sending her to a convent. En route to her new life, she falls for the handsome Chevalier des Grieux and they run away to Paris, the city of love. But their youthful ardor is threatened by fatherly disapproval, and Manon finds herself with a choice to make: wait alone in poverty or embrace the wealth of a new lover?
Manon composer Jules Massenet’s soaring score captures the intensity of young love as Manon and Des Grieux’s relationship endures twist after turn. Manon must navigate a path that careens between the radiant glow of love and the allure of wealth.
Music Director Eun Sun Kim’s conducting and Vincent Boussard’s cinematic production design brings the drama of Manon into emotional relief. The shimmering stage illuminates both the Champagne effervescence of Paris and the sensual idealism of young love.
➡️ [ BUY TICKETS ] ⬅️Cal Performances
Zellerbach Hall, 101 Zellerbach Hall, Berkeley, CA 94720
Friday, October 23 @ 7:30 PM
Special UC Berkeley Grad Student Price: $10 (you may bring one guest @ guest price)
Celebrate Día de los Muertos with Chicago’s rousing next-generation mariachi ensemble! Mariachi Herencia de México has taken the Latin music world by storm since it was founded 10 years ago by César Maldonado, then a member of the Mariachi Heritage Foundation, a nonprofit organization that promotes mariachi education in Chicago public schools. The band fuses traditional repertoire with influences from other Mexican, Caribbean, and Central and South American genres such as salsa, bolero, bossa nova, son jarocho, huapango, and cumbia—held together with deep emotion and bold storytelling.
➡️ [ BUY TICKETS ] ⬅️SF Symphony
Davies Symphony Hall, 201 Van Ness Ave, San Francisco, CA 94102
Thursday, October 29 @ 7:30 PM
Special UC Berkeley Grad Student Price: $20 (you may bring one guest @ guest price)
***Pre Show Inside Music Talk with Music Director Designate Elim Chan***
Artists
Elim Chan, Conductor
Renaud Capuçon, Violin
San Francisco Symphony Chorus, Jenny Wong, Chorus Director
San Francisco Symphony
Program
Johannes Brahms, Nänie
Felix Mendelssohn, Violin Concerto
Arvo Pärt, Magnificat, First San Francisco Symphony Performances
John Adams, Doctor Atomic Symphony, First San Francisco Symphony Performances
Elim Chan conducts a quartet of works that delve into the great unknown: Choral works by Brahms and Arvo Pärt lay a meditative foundation, while Renaud Capuçon regales us with the lustrous melodies and glittering pyrotechnics of Mendelssohn’s Violin Concerto. John Adams’s Doctor Atomic Symphony cloaks Nuclear Age anxiety in dark orchestral splendor.
From Music Director Designate Elim Chan
The standout element of this program is the San Francisco Symphony Chorus, which I’m really looking forward to working with. The voice has always been central to my musical life, going back to my earliest experiences growing up, and it’s a medium I’m eager to explore further in my upcoming projects here. A piece like Pärt’s Magnificat is perfect in that sense because it’s completely a cappella, which is challenging, but also allows the chorus to truly showcase what it can do. Brahms’s Nänie is a beautiful funeral song that echoes many of the sentiments found in the Doctor Atomic Symphony. While Adams’s work reflects on Oppenheimer and humanity’s capacity to destroy the world, Brahms grapples with questions of mortality and grief. The famous line, “Auch das Schöne muss sterben!” speaks to an idea that resonates deeply across both works. Nothing can escape death, and that theme runs through the outer pieces on this program. They are profound meditations on mortality. The subject matter itself and the way John addresses these moral questions are incredibly powerful. The topic remains very relevant today. You see the human struggle behind the development of something that could ultimately kill thousands of people. What I find so powerful is that when you take away the words and hear Doctor Atomic Symphony, he translates the opera into purely symphonic terms, but you still feel so much of the psychology of what he was trying to describe and underline in the original work.
“The standout element of this program is the San Francisco Symphony Chorus. The voice has always been central to my musical life and it’s a medium I’m eager to explore further in my upcoming projects here.” —Elim Chan, Music Director Designate
➡️ [ BUY TICKETS ] ⬅️The Freight
2020 Addison Street, Berkeley CA 94704
Friday, October 30 @ 8 PM
Special UC Berkeley Grad Student Price: $20 (you may bring one guest @ guest price)
CelloGayageum is not just a duo—it’s a musical journey across continents, cultures, and centuries.
Founded in 2016 by Austrian cellist Sol Daniel Kim and Korean gayageum virtuoso Dayoung Yoon, CelloGayageum bridges the soulful depth of Western classical music with the mesmerizing elegance of Korean gug-ak (traditional music). Inspired by Berlin’s Pavilion of Unity, this unique collaboration celebrates the beauty of connection—between instruments, histories, and people.
With original compositions rooted in Korean folk melodies and infused with global sensibilities, CelloGayageum creates a sound that is at once ancient and refreshingly modern.
ABOUT DAYOUNG YOON
Dayoung Yoon is a gayageum (traditional Korean plucked zither with 12-strings) player and composer of the ensemble CelloGayageum. She graduated from Korean National Traditional Arts High School and received a bachelor's and master's degree from the Korea National University of Arts. Following her graduation, she pursued solo activities in France, Germany, Italy, and beyond. During her tenure as a gayageum instructor at the Berlin Korean Cultural Center, she crossed paths with cellist Sol Daniel Kim and co-founded the ensemble CelloGayageum. Dayoung has garnered recognition for her contributions to the ensemble, receiving awards such as the Soorim Cultural Prize (2018), Jeongdong Theater's "Youthful Artist of the Year" (2020), Director of the Young Gugak Orchestra at Seoul Namsan Gugakdang (2021), and the first prize in the Korea Cultural Heritage Foundation's Youth Song (2021).
ABOUT SOL DANIEL KIM
Sol Daniel Kim is the cellist and composer of the ensemble CelloGayageum. Born in Vienna, Austria, he graduated from the University of Music and Performing Arts Vienna and has been active in Europe, participating as the representative of Austria in 'Eurovision Young Musicians' and collaborating with numerous orchestras such as the Bavarian Symphony Orchestra. After meeting Dayoung Yoon in Berlin, he co-founded the ensemble CelloGayageum and has since continued his endeavors as a full-fledged creative musician.
➡️ [ BUY TICKETS ] ⬅️The Freight
2020 Addison Street, Berkeley CA 94704
Friday, November 6 @ 7 PM
Special UC Berkeley Grad Student Price: $20 (you may bring one guest @ guest price)
Special Guest: Jerry Salas of El Chicano
The Freight's second annual Legacy Festival honors the Father of Chicano Music, Eduardo "Lalo" Guerrero. Co-curated by The Freight's Director of Programming PC Muñoz and Lalo's son, recording artist Mark Guerrero, this celebration gathers modern musical icons shaped by Lalo's legacy with two nights of concerts and other activities.
Lalo Guerrero (1916–2005) was a Mexican-American artist whose restless versatility spanned salsa, norteña, banda, rancheras, boleros, corridos, cumbias, mambos, cha cha chás, swing, rock & roll, and blues. A recipient of the NEA National Heritage Fellowship and the National Medal of Arts, he left a body of work that still echoes across genres and generations.
Emcee: Chuy Varela
ROCKIN’ JALAPEÑO BAND
The Rockin' Jalapeño Band proudly continues the musical vision of its founder, José "Dr. Loco" Cuéllar, whose groundbreaking work helped define a uniquely Chicano sound that blended music, culture, and social consciousness.
Founded by Dr. Loco in the late 1980s, the Rockin' Jalapeño Band was created to celebrate the rich diversity of Chicano music and culture. By fusing rock, traditional Mexican music, Caribbean rhythms, and R&B, the band developed an energetic and unmistakable style that reflected the many cultural influences of the Chicano experience. The band includes Chris Gonzalez Clarke, Charlie Montoya, Chuy Cobarrubias, Brian Andres, Mark Rendon and Camilo Landau in the rhythm section as well as Charly Gurke, Luke Kirley and Glenn Appel on the horns.
More than a musician, Dr. Loco was an educator, cultural advocate, and activist whose songs championed social justice, community, and cultural pride. His lyrics embodied a lifelong commitment to the Chicano movement, inspiring audiences through music that entertained while delivering a powerful message.
Today, the Rockin' Jalapeño Band has reunited to honor Dr. Loco's extraordinary legacy and ensure that his music continues to resonate with audiences of all generations. Through dynamic live performances, the band celebrates the spirit, joy, and purpose that defined Dr. Loco's career while introducing his timeless music to new listeners.
"The music of Dr. Loco has always been about bringing people together," said the band. "We are proud to carry forward his vision, celebrate our cultural heritage, and share these songs with communities everywhere."
Whether performing at festivals, community celebrations, concert venues, or cultural events, the Rockin' Jalapeño Band delivers an unforgettable show that honors the past while inspiring the future.
MARK GUERRERO
Recording artist, Chicano music historian, and Lalo Guerrero Legacy Festival co-curator Mark Guerrero grew up in East Los Angeles and began playing in rock & roll bands at age 13 when he led the popular band Mark & the Escorts, who recorded two singles for GNP Crescendo Records in 1965. Mark went on to record as a solo artist for Ode Records (produced by the legendary Lou Adler), Capitol Records, and for A&M Records with his group Tango. Mark's 1972 landmark Chicano pride song on Capitol Records “I’m Brown” was featured in the Grammy Museum, and his songs have been recorded by artists such as Herb Alpert, Trini Lopez, Chan Romero, and Lalo Guerrero himself. Mark is featured in the documentary "Chicano Rock: The Sounds of East Los Angeles" and has performed with music legends Eric Burdon, Los Lobos, El Chicano, Tierra, and Ry Cooder.
In the late ‘90s, Mark assembled a band to back up his father Lalo Guerrero. The resulting ensemble, Lalo Guerrero with Mark Guerrero & the Second Generation Band, played countless venues, including the Cite de Musique in Paris, France, the Getty Museum in Los Angeles, and in Lalo's hometown of Tucson, Arizona.
Mark hosts a popular Chicano website, markguerrero.com, which is dedicated to promoting and chronicling his own music, as well as all Chicano music in general. He regularly lectures and consults on the subject of East L.A. & Chicano rock history at universities and museums, and hosted a popular podcast called Chicano Music Chronicles. He currently hosts a YouTube interview show, "East L.A. Music Stories," which currently has 69 episodes. He continues to lecture and perform as a solo artist and with his band, Mark Guerrero & Friends.
JERRY SALAS OF EL CHICANO
Jerry Salas started playing guitar when he was about ten, and singing even younger. He was taught and inspired by his father Bill and brother Curly. Through his father and brother Jerry was exposed to a wide range of music: country Western, Hawaiian, and Mariachi from his dad who played in all these types of groups professionally, and rock n' roll, R&B, and jazz from his brother Curls. Throw in a little Nat King Cole and Tony Bennett from uncle Ray who had a beautiful voice and there you have it. By the mid-sixties Jerry and Curly were playing up and down the Sunset Strip in their own band The Sticks with drummer Snoopy Pfisterer and bass player Ken Forssi who would leave to form the group Love with Arthur Lee. During this period Snoopy brought in a TV producer to see the band and he loved Jerry’s look and voice and offered him a weekly spot on his show Shindig which was hugely successful at the time. He only wanted Jerry and not the band, so Jerry passed (oops). The Strip was an amazing place at the time, he would see bands like The Doors, Byrds, Seeds, and Buffalo Springfield among others, playing the same clubs and hanging out at Canters till four in the morning. During the late sixties the band was also recording original music every weekend. In early 71 Jerry was drafted into the army and sent to Vietnam where he drove an armored personnel carrier for five months until he was heard singing at a hootch party at which time he was put in special services entertaining the troops all over Vietnam. Jerry was blessed with an early out of Vietnam and the army.
Upon returning to the States Jerry started playing L.A. clubs for almost a year, then was asked to sing for El Chicano. His first album resulted in the hit single “Tell Her She’s Lovely,” but prior to its release El Chicano was touring constantly and at one of the concerts in Seattle Jerry met Burton Cummings of the Guess Who. Burton and Jerry hit it off and jammed for almost six hours after the show. The next night Burton showed up and asked Jerry to join Guess Who and work on his upcoming solo project. Jerry had to decline due to contracts and his upcoming release that had “Tell Her…” on it.
Almost all of the seventies were spent writing, recording and touring with some of the best acts around, like Marvin Gaye, ZZ Top, The Temptations, Blue Oyster Cult, War, Ted Nugent, The Jacksons, to name a few.
After El Chicano Jerry worked in the Jingle studio session field. During this period Jerry sang on other friends’ albums, like Roland Bautista, guitar player for Earth, Wind and Fire, with whom Jerry also toured. Roland and Larry Dunn, keyboardist for The Fire, also produced several tunes on one of Jerry’s solo projects.
In 2003 Jerry’s wife Debbie lost her 7 year battle with breast cancer and the family moved back home to L.A., where Sara, Amanda and dad are currently recording the first CD with production help from long time friend John Avila, who played bass for Oingo Boingo and co-produced with Danny Elfman.
Upon returning to LA, Jerry got the call from El Chicano, asking if he would be interested in doing some concerts, which Jerry was happy to do. So with Sara and Amanda occationally singing backgrounds the music has become a family affair once again!
CHUY VERELA
Currently Jesse ‘Chuy’ Varela serves as Program and Music Director at KCSM JAZZ 91, the Bay Area’s Jazz radio station. 2025 marks Chuy’s 42nd anniversary in radio. He has worked at KBBF – Santa Rosa, KPFA – Pacifica Radio in Berkeley, KJAZ Radio in Alameda, KBRG – Spanish Language Radio - San Jose, and KCSM JAZZ 91, as well as a news reporter/stringer for National Public Radio, Latino USA, Radio Bilingüe, and other radio entities.
Varela is also a freelance journalist who has written for the San Francisco Chronicle, The Eastbay Express, Latin Beat Magazine, Jazz Times Magazine, El Tecolote Newspaper, and numerous other publications as well as writing liner notes for Verve Records, Concord Records, Arhoolie Records, High Tone Records, and other numerous indie labels.
Varela has lectured and taught at UC Berkeley, UC Santa Cruz, Stanford University, City College of San Francisco, The International Association of Jazz Educators Conference, The University of the Sagrado Corazon in Puerto Rico, Habana Jazz Festival, The Kiwanis Club of Oakland, and numerous other schools and organizations. He also serves on the board of directors of The Oaktown Jazz Workshop, a jazz education program for young people in Oakland, as well as a mentor for The Berkeley High School Jazz Band Honors Project.
➡️ [ BUY TICKETS ] ⬅️The Freight
2020 Addison Street, Berkeley CA 94704
Saturday, November 7 @ 7 PM
Special UC Berkeley Grad Student Price: $20 (you may bring one guest @ guest price)
The Freight's second annual Legacy Festival honors the Father of Chicano Music, Eduardo "Lalo" Guerrero. Co-curated by The Freight's Director of Programming PC Muñoz and Lalo's son, recording artist Mark Guerrero, this celebration gathers modern musical icons shaped by Lalo's legacy with two nights of concerts and other activities.
Lalo Guerrero (1916–2005) was a Mexican-American artist whose restless versatility spanned salsa, norteña, banda, rancheras, boleros, corridos, cumbias, mambos, cha cha chás, swing, rock & roll, and blues. A recipient of the NEA National Heritage Fellowship and the National Medal of Arts, he left a body of work that still echoes across genres and generations.
Emcee: Chuy Varela
LA DOÑA
La Doña is a solo artist, music educator, activist, and cultural worker from San Francisco. Born Cecilia Cassandra Peña-Govea, she began her career at age seven playing trumpet, strings and percussion in her family’s conjunto. She is a student, teacher and preservationist of Latinx traditional arts like corrido, bolero, cumbia, and mariachi. In her compositions, she combines these ancestral traditions with contemporary diasporic musics like reggaeton, hip-hop and jazz. La Doña’s live performances are grounded in ceremony and social mobilization; she and her audiences sing, dance, cry and chant together, for collective healing and political action.
La Doña’s roles as a teaching artist within San Francisco and Oakland Unified School Districts via SFJazz and Community Music Center inspire and inform her work as a composer, arranger, and band-leader. As a young, queer Latina, La Doña is concerned with representing stories not often told in the mainstream music industry, and providing amplification and audience to other young artists of color.
La Doña was chosen as one of YouTube’s Foundry Artists (2019) and she has performed at Lollapalooza and Outside Lands music festivals. Her song, “Quién Me La Paga” was the first of the New York Times Magazine’s “19 Songs that Matter Now,” for 2020, and her EPs, Algo Nuevo and Can’t Eat Clout have been selected by the San Francisco Chronicle as two of the best albums of 2020 and 2023, respectively. La Doña was awarded the San Francisco Arts Commission Individual Artists Grant in 2021 and was the recipient of the YBCA’s Guaranteed Income Program in 2022. La Doña is a 2023-2024 apprentice in zapateado with the California Alliance for Traditional Arts, and recipient of the East Bay Fund for Artists Grant ‘23. She is a fellow for California Creative Corps 2024. She has toured internationally with artists including Cuco, Helado Negro, Durand Jones & the Indications, and Kaina. La Doña is set to release her debut album, Los Altos de la Soledad in 2024.
MARK GUERRERO
Recording artist, Chicano music historian, and Lalo Guerrero Legacy Festival co-curator Mark Guerrero grew up in East Los Angeles and began playing in rock & roll bands at age 13 when he led the popular band Mark & the Escorts, who recorded two singles for GNP Crescendo Records in 1965. Mark went on to record as a solo artist for Ode Records (produced by the legendary Lou Adler), Capitol Records, and for A&M Records with his group Tango. Mark's 1972 landmark Chicano pride song on Capitol Records “I’m Brown” was featured in the Grammy Museum, and his songs have been recorded by artists such as Herb Alpert, Trini Lopez, Chan Romero, and Lalo Guerrero himself. Mark is featured in the documentary "Chicano Rock: The Sounds of East Los Angeles" and has performed with music legends Eric Burdon, Los Lobos, El Chicano, Tierra, and Ry Cooder.
In the late ‘90s, Mark assembled a band to back up his father Lalo Guerrero. The resulting ensemble, Lalo Guerrero with Mark Guerrero & the Second Generation Band, played countless venues, including the Cite de Musique in Paris, France, the Getty Museum in Los Angeles, and in Lalo's hometown of Tucson, Arizona.
Mark hosts a popular Chicano website, markguerrero.com, which is dedicated to promoting and chronicling his own music, as well as all Chicano music in general. He regularly lectures and consults on the subject of East L.A. & Chicano rock history at universities and museums, and hosted a popular podcast called Chicano Music Chronicles. He currently hosts a YouTube interview show, "East L.A. Music Stories," which currently has 69 episodes. He continues to lecture and perform as a solo artist and with his band, Mark Guerrero & Friends.
JERRY SALAS OF EL CHICANO
Jerry Salas started playing guitar when he was about ten, and singing even younger. He was taught and inspired by his father Bill and brother Curly. Through his father and brother Jerry was exposed to a wide range of music: country Western, Hawaiian, and Mariachi from his dad who played in all these types of groups professionally, and rock n' roll, R&B, and jazz from his brother Curls. Throw in a little Nat King Cole and Tony Bennett from uncle Ray who had a beautiful voice and there you have it. By the mid-sixties Jerry and Curly were playing up and down the Sunset Strip in their own band The Sticks with drummer Snoopy Pfisterer and bass player Ken Forssi who would leave to form the group Love with Arthur Lee. During this period Snoopy brought in a TV producer to see the band and he loved Jerry’s look and voice and offered him a weekly spot on his show Shindig which was hugely successful at the time. He only wanted Jerry and not the band, so Jerry passed (oops). The Strip was an amazing place at the time, he would see bands like The Doors, Byrds, Seeds, and Buffalo Springfield among others, playing the same clubs and hanging out at Canters till four in the morning. During the late sixties the band was also recording original music every weekend. In early 71 Jerry was drafted into the army and sent to Vietnam where he drove an armored personnel carrier for five months until he was heard singing at a hootch party at which time he was put in special services entertaining the troops all over Vietnam. Jerry was blessed with an early out of Vietnam and the army.
Upon returning to the States Jerry started playing L.A. clubs for almost a year, then was asked to sing for El Chicano. His first album resulted in the hit single “Tell Her She’s Lovely,” but prior to its release El Chicano was touring constantly and at one of the concerts in Seattle Jerry met Burton Cummings of the Guess Who. Burton and Jerry hit it off and jammed for almost six hours after the show. The next night Burton showed up and asked Jerry to join Guess Who and work on his upcoming solo project. Jerry had to decline due to contracts and his upcoming release that had “Tell Her…” on it.
Almost all of the seventies were spent writing, recording and touring with some of the best acts around, like Marvin Gaye, ZZ Top, The Temptations, Blue Oyster Cult, War, Ted Nugent, The Jacksons, to name a few.
After El Chicano Jerry worked in the Jingle studio session field. During this period Jerry sang on other friends’ albums, like Roland Bautista, guitar player for Earth, Wind and Fire, with whom Jerry also toured. Roland and Larry Dunn, keyboardist for The Fire, also produced several tunes on one of Jerry’s solo projects.
In 2003 Jerry’s wife Debbie lost her 7 year battle with breast cancer and the family moved back home to L.A., where Sara, Amanda and dad are currently recording the first CD with production help from long time friend John Avila, who played bass for Oingo Boingo and co-produced with Danny Elfman.
Upon returning to LA, Jerry got the call from El Chicano, asking if he would be interested in doing some concerts, which Jerry was happy to do. So with Sara and Amanda occationally singing backgrounds the music has become a family affair once again!
CHUY VERELA
Currently Jesse ‘Chuy’ Varela serves as Program and Music Director at KCSM JAZZ 91, the Bay Area’s Jazz radio station. 2025 marks Chuy’s 42nd anniversary in radio. He has worked at KBBF – Santa Rosa, KPFA – Pacifica Radio in Berkeley, KJAZ Radio in Alameda, KBRG – Spanish Language Radio - San Jose, and KCSM JAZZ 91, as well as a news reporter/stringer for National Public Radio, Latino USA, Radio Bilingüe, and other radio entities.
Varela is also a freelance journalist who has written for the San Francisco Chronicle, The Eastbay Express, Latin Beat Magazine, Jazz Times Magazine, El Tecolote Newspaper, and numerous other publications as well as writing liner notes for Verve Records, Concord Records, Arhoolie Records, High Tone Records, and other numerous indie labels.
Varela has lectured and taught at UC Berkeley, UC Santa Cruz, Stanford University, City College of San Francisco, The International Association of Jazz Educators Conference, The University of the Sagrado Corazon in Puerto Rico, Habana Jazz Festival, The Kiwanis Club of Oakland, and numerous other schools and organizations. He also serves on the board of directors of The Oaktown Jazz Workshop, a jazz education program for young people in Oakland, as well as a mentor for The Berkeley High School Jazz Band Honors Project.
➡️ [ BUY TICKETS ] ⬅️Berkeley Rep
Roda Theatre, 2025 Addison St, Berkeley CA 94704
Friday, November 13 @ 8 PM
Special UC Berkeley Grad Student Price: $15 (you may bring one guest @ guest price)
***Postshow discussion***
By Bess Wohl
Directed by Whitney White
A co-production with Geffen Playhouse, Studio Theatre, and American Repertory Theater
West Coast premiere
It’s 1970s Ohio, and Lizzie has gathered a group of women in a rec center basement to change their lives and maybe the world. Decades later, Lizzie’s daughter delves into her mother’s history to find answers to the feminist revolution’s unanswered questions, reliving those necessary, messy, and impassioned meetings that asked: What does it mean for a woman to be free? Direct from its acclaimed Broadway run, Tony Award and Pulitzer Prize winner Bess Wohl (Grand Horizons) and two-time Tony Award-nominated director Whitney White (Jaja’s African Hair Braiding) bring ferocious wit and emotional precision to this intensely relevant and bitingly funny memory play about what we inherit, what we forget, and what we’re still fighting to understand.
“An unadulterated pleasure. Powerfully moving and funny. When these women talk, we want to hear every word.” — Critic’s Pick, The New York Times
**Production information: Phone- and camera-free: To protect the privacy of our performers, this production is phone- and camera-free. Upon arrival, devices must be powered off and locked in secure Yondr pouches. Guests maintain possession of their phones for the duration of the performance. All pouches will be opened at the end of the performance.
➡️ [ BUY TICKETS ] ⬅️Opera Parallèle
Z Space, 450 Florida St, San Francisco, CA 94110
Saturday, November 14 @ 7:30 PM
Special UC Berkeley Grad Student Price: $30 (you may bring one guest @ guest price)
An Operatic Experience Rooted in Gullah-Geechee Spirituals
Co-Created by Victor Ryan Robertson and Brian Staufenbiel
World Premiere
What do we carry from those who came before us?
Opening Opera Parallèle's 17th season, Salt & Spirit is a powerful world premiere inspired by the enduring musical traditions of the Gullah-Geechee people of the Carolinas. Rooted in a rare collection of nineteenth-century spirituals and reimagined through vibrant contemporary arrangements that blend classical, jazz, and traditional influences, Salt & Spirit is an unforgettable theatrical experience.
Co-created by acclaimed tenor Victor Ryan Robertson and Opera Parallèle Creative Director Brian Staufenbiel, Salt & Spirit celebrates a culture whose songs preserve memory, identity, and hope across generations. More than a performance, it is an act of remembrance—revealing how music can safeguard history, strengthen community, and carry stories that refuse to be forgotten.
Rich with soaring voices, evocative imagery, and spoken word, Salt & Spirit honors the resilience of the Gullah-Geechee people while inviting audiences to reflect on the legacies we inherit and the stories we choose to pass forward.
➡️ [ BUY TICKETS ] ⬅️SF Opera
War Memorial Opera House, 301 Van Ness Avenue, San Francisco, CA 94102
Wednesday, November 18 @ 7:30 PM
Special UC Berkeley Grad Student Price: $15 (you may bring one guest @ guest price)
By Wolfgang Amadeus Mozart
Something old, something new, something borrowed, something askew.
It’s a busy day in the manor house as the staff prepare for the marriage of the wily valet Figaro and his quick-witted fiancée, the maid Susanna. But the head of the house, Count Almaviva, wants Susanna for himself—and he’s used to getting his way. With the help of the slighted Countess, Figaro and Susanna work to turn the manor upside down in order to exchange their holy vows of matrimony.
You can’t help but fall in love with Mozart’s endearing comedy of schemes and disguises. But hidden beneath its lighthearted façade is an exploration of the social constructs of power and class. At every turn, the servants are one step ahead of the Count.
Set at the birth of America, San Francisco Opera’s production highlights the deconstruction of class within a recently-built manor house. Scaffolding, blueprints and the dust of recently plastered walls pervade Erhard Rom’s set design, suggesting a new world emerging that challenges old ideals.
Conductor Sebastian Weigle makes an exciting house debut on the podium. Full synopsis here.
➡️ [ BUY TICKETS ] ⬅️Oakland Theater Project
Oakland Theater Project, 1501 Martin Luther King Jr. Way, Oakland 94612
Friday, Novemeber 20 @ 7:30 PM
Special UC Berkeley Grad Student Price: $15 (you may bring one guest @ guest price)
by Lisa Ramirez
directed by Karina Gutiérrez
In Lisa Ramirez’s newest play, “Sí, se puede” becomes She Se Puede (A Chorus of Huertas) — a world premiere about Dolores Huerta and her lifelong fight for labor rights and true freedom.
This vibrant theatrical portrait, directed by Karina Gutiérrez, explores how Huerta’s perseverance, collective vision, and radical hope remain urgently necessary today — and examines freedom not as a gift, but as something organized, demanded, and won.
Here, the fight for dignity is the fight for freedom, carried forward by those who refuse silence.
➡️ [ BUY TICKETS ] ⬅️Berkeley Rep
Peet’s Theatre, 2025 Addison St, Berkeley CA 94704
Tuesday, December 1 @ 7 PM
Special UC Berkeley Grad Student Price: $15 (you may bring one guest @ guest price)
***Postshow discussion***
By York Walker
Directed by Taylor Reynolds
West Coast premiere
In a small Georgia town, superstitions and rumors abound. The graveyard, the church, the neighbors, their families — there seems to be a secret within everything, and Avery wants out. But when her once-awkward childhood friend Johnny returns to town as a smooth-talking blues star, raising suspicion he’s made the darkest of deals, a series of secrets emerges to envelop them all. Hailed by The New York Times as “a striking Southern Gothic work,” York Walker’s Covenant unravels truth from myth in a haunting and gripping reckoning with what we choose to believe and what we cannot escape.
➡️ [ BUY TICKETS ] ⬅️Cal Performances
Zellerbach Hall, 101 Zellerbach Hall, Berkeley, CA 94720
Friday, December 4 @ 7:30 PM
Special UC Berkeley Grad Student Price: $10 (you may bring one guest @ guest price)
Aszure Barton, choreographer and director
Ambrose Akinmusire, composer, electronics, and trumpet
West Coast Premiere
Two leading lights in their fields—choreographer Aszure Barton and composer Ambrose Akinmusire—create an urgent, intimate yet wildly provocative world in which dancers and musician come together onstage in a thrilling embrace of human friction, tension, and explosive beauty. Barton is known for mining complex emotional terrain in her works, as in her smash hit Mere Mortals at San Francisco Ballet in 2024. She “offers an entire world, full of surprise and humor, emotion and pain, expressed through a dance vocabulary that takes ballet technique and dismantles it to near-invisibility” (The New York Times). Oakland’s own Akinmusire, “a trumpeter of deep expressive resources and a composer of kaleidoscopic vision” (NPR Music), performs his instrumental and electronics score live.
“It’s magical. You can’t take your eyes off it. And you can’t get enough of this declaration of love for being together, which continually invents new patterns to explain itself… [In B E N D] the soul finds enough air to listen carefully”—tanznetz
➡️ [ BUY TICKETS ] ⬅️SF Symphony
Davies Symphony Hall, 201 Van Ness Ave, San Francisco, CA 94102
Thursday, October 29 @ 7:30 PM
Special UC Berkeley Grad Student Price: $20 (you may bring one guest @ guest price)
***Pre Concert Talk with Laura Stanfield Prichard***
Overview
George Frideric Handel’s Messiah was an instant classic soon after its 1742 premiere and has been a holiday tradition around the world ever since. Through a dramatic series of arias, recitatives, and choruses, Handel offers a musical meditation on Christ’s birth, life, and resurrection—and his message of redemption. Jane Glover leads the SF Symphony and Chorus in this perennial favorite.
Artists
Jane Glover, Conductor
Susanna Phillips, Soprano
Jennifer Johnson Cano, Mezzo-soprano
Josh Lovell, Tenor
Will Liverman, Baritone
San Francisco Symphony Chorus
Jenny Wong, Director, San Francisco Symphony Chorus
San Francisco Symphony
Program
George Frideric Handel, Messiah, Program Book
Concert Extras
A preconcert talk by Laura Stanfield Prichard will be presented onstage at 6:30pm before the performance.
Throughout December, stroll through the winter wonderland of a decked-out Davies Symphony Hall, filled with giant lit trees, wreaths, and garlands. While you’re here, sip a gingerbread old-fashioned, toast with sparkling wine, enjoy holiday desserts, and swing by the hot-chocolate cart all month long.
➡️ [ BUY TICKETS ] ⬅️Broadway SF
Orpheum Theatre, 1192 Market St, San Francisco, CA 94102
Saturday, December 5 @ 7:30 PM
Special UC Berkeley Grad Student Price: $50 (you may bring multiple guests @ guest price)
The Tony® Award-winning Best Musical that took the world by storm is back. The Wiz returns “home” to stages across America in an all-new tour, direct from Broadway.
The Baltimore Sun raves “Powerhouse performances. Stunning choreography. Visionary sets” and the Chicago Sun-Times proclaims The Wiz is “An eye-popping and high-intensity revival!”
This groundbreaking twist on The Wizard of Oz changed the face of Broadway. From its iconic score packed with soul, gospel, rock, and 70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world.
With direction by Schele Williams (The Notebook), choreography by JaQuel Knight (Beyoncé’s Single Ladies, Black Is King) and additional material by Tony-nominated and Emmy-nominated writer and TV host Amber Ruffin (The Amber Ruffin Show, Late Night with Seth Meyers), this dynamite infusion of ballet, jazz, and modern pop brings a whole new groove to easing on down the road. Everybody rejoice!
➡️ [ BUY TICKETS ] ⬅️SF Ballet
War Memorial Opera House, 301 Van Ness Avenue, San Francisco, CA 94102
Tuesday, December 8 @ 6 PM
Special UC Berkeley Grad Student Price: $45 (you may bring one guest @ guest price)
THE ULTIMATE HOLIDAY TRADITION
Our most magical production returns to the Opera House stage, transporting audiences of all ages into a realm of the fantastical. Dubbed Helgi Tomasson’s “finest achievement” by the San Francisco Chronicle, our Nutcracker remains the cornerstone of the Bay Area’s holiday season.
Tchaikovsky’s iconic score, played by the Grammy Award-winning Orchestra, guides us along Clara’s magical journey from her Victorian-era San Francisco home, through the most dazzling onstage blizzard, and onto the stunning Crystal Palace, where we meet the Sugar Plum Fairy and an international cast of characters.
Over 80 years after San Francisco Ballet presented America with its first-ever Nutcracker in 1944, it remains the ultimate holiday tradition for families, friends, and dance-lovers alike.
CHOREOGRAPHER, Helgi Tomasson
COMPOSER, Peter Ilyich Tchaikovsky
SCENIC DESIGNER, Michael Yeargan
COSTUME DESIGNER, Martin Pakledinaz
LIGHTING DESIGNER, James F. Ingalls
PROJECTION DESIGNER, Wendall K. Harrington
➡️ [ BUY TICKETS ] ⬅️Oakland Symphony
Paramount Theatre, 2025 Broadway, Oakland, CA 94612
Sunday, December 13 @ 4 PM
Special UC Berkeley Grad Student Price: $10 (you may bring one guest @ guest price)
Kedrick Armstrong, conductor
Oakland Symphony Chorus
An “inspired, multifarious, musical bash!” raves SF Classical Voice of the Oakland Symphony’s holiday party, Let Us Break Bread Together. Kedrick Armstrong and the Orchestra are joined by the Bay Area’s hottest artists for this annual seasonal celebration; this edition celebrating the legacy of Quincy Jones.
➡️ [ BUY TICKETS ] ⬅️Broadway SF
Golden Gate Theatre, 1 Taylor St, San Francisco, CA 94102
Friday, December 18 @ 7 PM
Special UC Berkeley Grad Student Price: $50 (you may bring multiple guests @ guest price)
Elf The Musical, inspired by the hit film, is the hilarious and heartwarming tale of Buddy, a young orphan child whose life is changed forever when he mistakenly crawls into Santa’s sack of toys one Christmas Eve. When he discovers he is human, Buddy embarks on a journey to New York City to find his birth father and, in turn, helps the Big Apple rediscover the true meaning of Christmas. This all-new tour, based on the acclaimed 2024 Broadway production, was hailed by The New York Times, which said, “The show has cracked the code of all-ages comedy, the kind that will leave children and grown-ups equally helpless with laughter,” and celebrated in The New Yorker, “It’s enough to make you believe in the magic of Christmas.” This modern-day holiday classic, says The Daily Beast, “is a gift for kids and adults, and a very ‘sparklejollytwinklejingley’ night out!"
➡️ [ BUY TICKETS ] ⬅️