https://www.nytimes.com/2025/08/23/books/review/positive-obsession-susana-m-morris.html

In this issue: Configurations in Black: A Stateless Rwandan Refugee Makes Art out of His Experience; ; India’s Colonial Past Revealed Through 200 Masterful Paintings; 3 of Mexico’s Lesser-Known Archaeological Wonders; Jabari Banks Closes Bel-Air With His Debut EP 'Ultra’; Remembering Koyo Kouoh, the Cameroonian Curator Due to Lead the 2026 Venice Biennale; “Reimagine” by Laura Gauch: A Fashion Story in a Dance Studio; A New Musical Revisits the Bay Area’s Apocalyptic Orange Sky Day; ‘Positive Obsession’ Is a Fresh Look at Octavia E. Butler; Japan Art Festival 2025: Paris Gets a Japanese Art Fix

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