https://www.theatlantic.com/culture/archive/2022/04/grammys-2022-jon-batiste-olivia-rodrigo/629471/

In this issue: Mildred Thompson and the Case for Seeing Black Artistic Trajectories Whole; How Jon Batiste Broke Grammys Expectations; Lucila Safdie’s ‘Feminine and Surreal’ Womenswear Is Inspired by Teenage Bedrooms and Internet Lore; Culinary Monster on Culinary Class Wars Season 2, Opening His Restaurant in New York; 'Eating Ashes' Portrays a Tale of Migration, Loss and Memory; In Post-‘Revolution’ Bangladesh, a Photography Festival Questions How To Rebuild After Ruin; MoMA Honors One of This Country’s Greatest Artists: Ruth Asawa; After Eight Decades in Obscurity, Diego Rivera’s S.F. Masterpiece Is Getting Its Moment; Shanghai’s Dynamic Grand Opera House Resembles an Unfolding Fan; Tracy K. Smith Thinks Poetry Could Help Bring Us Together, if We Let It

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